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类型：剧情片集数：高清年份：2002别名：Octavia

简介：Complex Spanish drama is rewarding. A film for grown ups. It is rare to find a production which attempts so complicated a statement. While this makes OCTAVIA demanding viewing, particularly for someone who doesn't speak its language, it remains a work of high seriousness which goes a long way towards achieving it's aims. 　　Key is the scene where Sola, returning to the family home after years of following a troubled international career, goes through his Stasi file with his new wife and we get a potted history of the character and Spanish politics since the fifties. 　　The conflict is between the perceptions of Dona Lozano the Carlist matriarch who treasures the Salamanca family traditions and young, intermittently naked grand daughter Menh-Wai\/ Octavia product of the union of the nun daughter and a jungle guerilla who she imagines is still financing his activities from the cocaine she and her friends use. 　　The situation is explored in a whole variety of situations and scenics which keep turning the audiences perceptions of the characters and their setting. 　　The ending, where the stone slab with the single word on it clunks into place, as Terenza Beganza and the orchestra provide the music which we've been hearing through the production, is a remarkably telling combination.

宗教裁判所7.0

类型：恐怖片集数：高清年份：1976别名：宗教裁判所|Inquisición

简介：

Inquisition3.0

类型：恐怖片集数：高清年份：1976别名：Inquisition|Inquisición

简介：

太平间的驼背者8.0

类型：恐怖片集数：已完结年份：1973别名：太平间的驼背者

简介：哥德，太平间的驼背者，由于驼背和丑陋的外表，经常被人取笑，而他去一直爱着病重的女孩，伊尔丝，当伊尔丝死后，愤怒的他杀了那些取笑他，亵渎伊尔丝的美丽的人，并且之后便消失了，而医院的奥尔拉医生却在禁止的情况下仍然做着非法的实验，并且答应帮助哥德重新让伊尔丝重生，究竟还有什么可怕的事会发生呢？

极度恐慌19837.0

类型：恐怖片集数：已完结年份：1983别名：极度恐慌1983

简介：PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences.　　We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film.　　PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,

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