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类型：剧情片集数：高清年份：2016别名：潮湿|Humidity

简介：Petar is a smooth businessman, ambitious, firmly part of the nouveau rich, his flat decked out with designer furniture. One day, his wife Mina vanishes. He keeps her absence a secret, but behind the happy facade of preparing an upcoming family celebration, shady deals at work and weekends of excess with his colleagues, insecurity, nervousness and even aggression begin to set in. A week later, everyone still acts as if nothing ever happened, as if the family were still complete. The suit fits as well as it always did. There are gifts and drinks on the table. But everything has changed. Who can still be trusted here and why? 　　Nikola Ljuca’s astutely directed feature debut depicts the neo-capitalist establishment in post-Milošević Serbia as being caught between cocaine and corruption, technocratic cool and social traditions. The director has described it as "a road movie through Belgrade akin to an odyssey". His protagonists are people for whom everything is now a no-brainer and who no longer reflect upon themselves. This is a razor-sharp, universal portrait of a society in which the outwardly urbane is merely a convention. belinale 2016

垃圾桶小破孩大电影1.0

类型：喜剧片集数：高清年份：1987别名：垃圾桶小破孩大电影|小怪物

简介：Seven disgusting kids but nevertheless of interesting personality are being made of the green mud coming out of garbage can. Once alive their master gives them rules to obey although they think that life is funnier without following stupid regulations like no television or no candy. Naturally this will cause some conflicts.

点金胜手7.0

类型：国产剧集数：30集全年份：2014别名：点金胜手|TheUltiMateaddiction

简介：此剧以金融界为背景，生活时事为题材，透过塑造卓彧成为金融才俊,描写他的奋斗过程，以及他与两个女子资雅、方明瑜纠结难分的命运，揭示人性对立，变质扭曲的人生观,，剧集气氛沉重，是香港版华尔街道和《大亨小传》。

Leschosesd’unevie,exercicesd’archéologieintime7.0

类型：纪录片集数：高清年份：2024别名：Leschosesd’unevie,exercicesd’archéologieintime|ThingsofaLifetime,IntiMatearcheologicalExercises

简介：The filmmaker’s grandmother moved into this house in 1971. When Rolande Ségalini died, everything remained as it was during her lifetime. But what to do with all the accumulated things? As her granddaughter Céline begins to film this material legacy, she realises that her grandmother has remained an enigma to her to this day. Room by room, she inventories, classes, counts, sorts the possessions retrieved from wardrobes, drawers, cabinets and boxes and arranges the objects into new still lives. It is an attempt to understand the deceased woman better and find out more about her. Step by step, the heiress discovers various connections to France’s colonial history. 　　The film unfurls the facets of a discreet relationship with one’s origin – searching, questioning, interpreting, at the same time investigating the construction and external perception of identity, the practice of passing. The things of a life, displayed like the findings of an archaeological dig, are laid out ready to be analysed. They express a desire: to be recognised as a white Frenchwoman.

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